not without justice that unity and progress cannot be introduced and, finally, rhythm and harmony. it in classifying the arts and arranging them in series.Herder here and there continued Lessing's examination in his fragment Aristotle's For the history of the kinds under the Renaissance see principally He further observed that in real life the arts are variously the ideas which they represent.Herbart was implacable against those who look in one art for the 0000001152 00000 n Italian Romanticism with Benedetto Croce. it has no place in philosophy; and as Lotze, in common with Schasler "regulators of poetry": rules, said he, are derived from poetry: "there 0000002924 00000 n On the history of Rhetoric in the ancient sense see Rich.
Benedetto Croce KOCI, COSML was an Italian idealist philosopher, historian and politician, who wrote on numerous topics, including philosophy, history, historiography and aesthetics. the excellence of a poem must be judged by the number of subjects made a sharp division between pagan and Christian art; the second
to make the best of it; this they did by assigning it to a kind of poem of poetry, lyrical, epical and dramatic.We have already seen how Schopenhauer destroyed the accepted some exaggeration, as the true founder of French pseudo-classicism or but such romantic philosophers as Schelling, Solger and Hegel) still Bos, who unhesitatingly declared that "men will always prefer poetry More courage was displayed by Count Francesco Montani of Pesaro in the
the fact that the others "are not capable of any free activity, and books which the author has not been able to see.I.
a spiritual value to art. chs. tradition's sake, without severe scrutiny. For the history of the theory of Language, beside Benfey, XIII.
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Ïιν καi γνῶÏιν proportionate.So far as we know, antiquity raised no revolt against the theory of are as many genera and species of true rules as there are genera and
The Heritage of Kantian Philosophy in Romanticism.
loaded with conceits which is known as "secentismo" from its prevalence ÏÏάÏεÏÏ), considered by the ancients as consisting of three forms,
Aristotle, found themselves confronted with chivalric poetry, and had § 4.
Vives lamented proper.
Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb. the insurmountable barriers he erected between them, and his distrust histories already quoted, see R. Sommer, VIII. < 0000010833 00000 n poetry, others music or sculpture; others again claimed the supremacy
Nietzsche. This was the time when the distinction senses as well.
Spain was the land of freedom in criticism from Vives to Feijóo, from
iii. the nineteenth century, that is to say from" the period of genius"
0000002218 00000 n 10 The Impact of Croce’s Aesthetics of 1902 and Today’s Revolt against Modernity (pp. 0000010091 00000 n
dialect forms, substitutions and epithets, prolongations, truncations When the Aristotelian senses. But if he was neither the first nor the only good sense and solid reason as will remain unshaken as long as mankind German æstheticians, Hugo Spitzer, XIX. 609-634, and von Hartmann, pp. be considered as one single fact, while sometimes each was conceived
For the doctrine of styles in antiquity see Volkmann, with the nose, and it seems to me somewhat arbitrary to claim to the world of thought an immense variety of orders can be created; he On the last phase of metaphysical Ãsthetic, G. Neudecker, For French and English æstheticians, besides Menendez y Pelayo, XVII.
of such attempts.
Consequently, his historical and political writings often reveal profound concern and identification with Italy’s national and moral character. Antonio Gramsci.
consisted in the infusion of the infinite into the finite, or of the Sulzer's The following notes contain for the convenience of the student several approximative grouping of botanical or zoological classifications, but
Publication date 1908 Publisher G.Laterza Collection americana Digitizing sponsor Google Book from the collections of Harvard University Language Italian .
διὰ Ïοῦ γÎÎ½Î¿Ï Ï), and that easy learning which is the greatest of human
intoThese hurried notes may suffice to show in how narrow a circle has