Puerto rocks: rap, roots, and amnesia / Juan Flores -- It's a family affair / Paul Gilroy -- On the question of nigga authenticity / R.A.T.
Published by Routledge. *If the source does not have a second container, omit this last part of the citation. Here is a template: Reference list: Government Author. If you do not receive an email within 10 minutes, your email address may not be registered, Learn more. I used to be scared of the dick: queer women of color and hip-hop masculinity / Andreana Clay -- 'Cover you eyes as I describe a scene so violent': violence, machismo, sexism, and homophobia / Michael Eric Dyson and Byron Hurt -- 'The King of the Streets': hip-hop and the reclaiming of masculinity in Jerusalem's Shuʻafat Refugee Camp / Ela Greenberg -- Scared straight: hip-hop, outing, and the pedagogy of queerness / Marc Lamont Hill -- Empowering self, making choices, creating spaces: Black female identity via rap music performance / Cheryl L. Keyes -- Hip-hop feminist / Joan Morgan -- Butta pecan mamis: chocolaté calienté / Raquel Z. Rivera -- "The message": rap, politics, and resistance.
Intergenerational culture wars: civil rights vs. hip-hop / Todd Boyd and Yusuf Nuruddin -- The challenge of rap music from cultural movement to political power / Bakari Kitwana -- Voyeurism and resistance in rap music videos / Jennifer C. Lena -- Postindustrial soul: Black popular music at the crossroads / Mark Anthony Neal -- My mic sound nice: art, community, and consciousness / Imani Perry -- Rise up Hip-Hop Nation: from deconstructing racial politics to building positive solutions / Kristine Wright -- "Looking for the perfect beat": hip-hop, technology, and rap's lyrical arts. That's the Joint: The Hip-Hop Studies Reader brings together the best-known and most influential writings on rap and hip-hop from its beginnings to today. : the hip-hop studies reader, edited by Murray Forman and Mark Anthony NealGeneral introduction / Murray Forman -- "Hip-hop ya don't stop" : hip-hop history and historiography. Use the link below to share a full-text version of this article with your friends and colleagues. Rent That's the Joint! We all know that college is expensive. This newly expanded and revised second edition of That's the Joint!
When That's the Joint dropped it changed everything. Every textbook comes with a 21-day "Any Reason" guarantee. ": hip-hop in/and the culture industries. : the hip-hop studies reader, edited by Murray Forman and Mark Anthony NealGeneral introduction / Murray Forman -- "Hip-hop ya don't stop" : hip-hop history and historiography.
The politics of graffiti / Craig Castleman -- Zulus on a time bomb: hip-hop meets the rockers downtown / Jeff Chang -- B-beats bombarding Bronx: Mobile DJ starts something with older R & B disks and Jive talking N.Y. DJs rapping away in Black discos / Robert Ford, Jr. -- Hip-hop's founding fathers speak the truth / Nelson George -- Physical graffiti: the history of hip-hop dance / Jorge "Popmaster Fabel" Pabon -- Hip-hop turns 30: watcha celebratin' for?
The rap career / Mickey Hess -- The business of rap: between the street and the executive suite / Keith Negus -- 'I don't like to dream about getting paid': representations of social mobility and the emergence of the hip-hop mogul / Christopher Holmes Smith -- Black youth and the ironies of capitalism / S. Craig Watkins -- An exploration of spectacular consumption: gangsta rap as cultural commodity / Eric K. Watts Black empires, white desires: the spatial politics of identity in the age of hip-hop / Davarian L. Baldwin -- 'Represent': race, space, and place in rap music / Murray Forman -- Rap's dirty south: from subculture to pop culture / Matt Miller -- Global Black self-fashionings: hip-hop as diasporic space / Maarc D. Perry -- Hooligans and heroes: youth identity and hip-hop in Dar es Salaam, Tanzania / Alex Perullo -- Native tongues: a roundtable on hip-hop's global indigenous movement / Cristina Verán, with Darryl "DLT" Thompson, Litefoot, Grant Leigh Saunders, Mohammed Yunus Rafiq, and Jaas -- "I'll be Nina Simone defecating on your microphone": hip-hip and gender.