The narrator’s ability to note the abnormality of Buquet’s death without concluding on the ghost’s involvement suggests that he does not yet have enough information to implicate the Phantom. Raoul angrily questions Christine, and the tone of his questions is so rough that Christine simply stares at Raoul without replying. She points to a pallid face, with two deep black cavities under the eyebrows. The narrator notes that for the past several months, everyone at the Opera House has been discussing the matter of GradeSaver, 31 July 2017 Web. This third description of the ghost (as an invisible being) heightens the mystery of the ghost’s identity, suggesting that the narrator’s conclusions will have to account for these three contradictory descriptions. Raoul replies that he is the little boy who went into the sea to rescue her scarf. One day, a little boy (who was out with his governess) made her take a longer walk than usual; as the boy was following the little girl, her pure, sweet voice seemed to bind him to her.
Daee tells Christine that one day she will hear the Angel: when he (Daee) is in heaven, he will send for the Angel. She informs Raoul that she is going to Perros, to pay respects to her dead father. Moncharmin and Richard ask them if they have ever seen the ghost; the two respond that they have not ever seen him in his box. Despite Raoul’s loud footsteps, Christine does not hear him. “Would not have made it through AP Literature without the printable PDFs. He is a charming fellow and shows himself to be quite intelligent. Violence, Revenge, and Redemption. He loves Christine, and so he has all the more reason to find out who the man in the room is. He requests that they (the managers) not sell his private box, and issues a warning of sorts. They think it to be a continuation of Debienne and Poligny’s joke and dismiss it, spending the rest of the day discussing, negotiating, signing, or canceling contracts.They go to bed early, without so much as a glance at Box Five. Meanwhile, her father dies, and she is devasted.
Papin’s alternative description of the ghost creates uncertainty, suggesting that the ghost might be capable of shifting shapes—as Raoul himself later believes—and that he is therefore definitely non-human. The next morning, the managers find an inspector’s report relating to an incident that had happened the night before in Box Five, in which the occupants heard a strange, disturbing laughter. The doctor, maid, and Christine laugh in response.
Love vs. Jealousy.
Indeed, her story does not actually support the ghost’s existence. However, he has a very hasty temper. The managers think Giry to be a madwoman, and after she leaves, the managers tell the inspector that they will dispense with her services. Richard asks Mme.
It was adapted into a play, a ballet, numerous films, and, most famously, the 1986 British musical. He is brought back to the inn’s landlady; apparently, he was found stretched at full length on the steps of the high altar of the church. Nonetheless he does not go away, retreating to a dark corner. The Natural vs. the Supernatural. The fact that young ballerinas are the first witnesses of the Phantom that the novel mentions suggests that the ghost’s apparition could be the result of collective panic and paranoia, more than a credible occurrence.
She tells a story of a time when the ghost had fooled some of Box Five’s occupants into quarreling with one another, leading to one of the occupants breaking a leg as he was running down the grand staircase. The Natural vs. the Supernatural.
When the music stops, Raoul hears a noise from the skulls in the heap of bones in the graveyard, and then he makes contact with what he describes as 'death’s head', which has a pair of scorching eyes. Raoul wonders why she laughed at him, and why she did not recognize him.Raoul reaches Parros, and walks into the sitting-room of the Inn at which Christine is staying. At the end of the book, there is a paragraph written in red ink that states one extra stipulation for the managers: the manager, in any month, must not delay for more than a fortnight the payment of 20,000 francs to the Opera ghost. Moncharmin finds this humorous, but Richard is not amused. He returned to the country, wandering from fair to fair, and, one day, one Professor Valerius heard them and took them to Gothenburg. He enters her room and finds only darkness and silence. They're like having in-class notes for every discussion!” That evening, Box Five is sold. Raoul laughs at this and is skeptical of Christine’s story.
Richard, on the other hand, is a very distinguished composer, having published a number of successful pieces of all kinds. The narrator’s acknowledgment of the atmosphere of collective hysteria at the Opera shows that he is capable of distancing himself from such phenomena and witnessing them from the outside.