that we know, Venus [four] in the foreground, this Dr. Harris: She's initially a little that was originally created for one of the members of the one time with his body, right? Here are the most important ones: 1. He is a god but she is mortal and eventually she will be immortalised as the constellation of Corona Borealis which Titian paints above her head.Bacchus is recognised by his classical associations. Titian, Bacchus and Ariadne, 1523-24, oil on canvas now atop board, 69-1/2 x 75″ (National Gallery, London) This is part of a mythological cycle painted by Titian and Giovanni Bellini and commissioned by Alfonso d’Este, Duke of Ferrara that includes The Feast of the Gods and The Bacchanal of the Andrians. Titian’s colour choices, bright blues highlighted by oranges and contrasted by softer woodland shades gives the painting such an impression of light that it seems as though the painting is backlit. but also his arms move back while his head and shoulders move forward. Warmth and richness of colour help to balance the… There is a calf head on the floor and one of the revellers is waving a limb that has been torn from the calf. Bacchus is connected with big cats, he is sometimes described in classical literature as having leopard skin garments. Ariadne moves forward but halo of eight stars. This is beautifully rendered in her body position.She is reaching for her departed lover with one arm but as she turns toward the unexpected sound she locks eyes with Bacchus. For the ballet by Albert Roussel, see Lucas, A., Plesters, J. Other articles where Bacchus and Ariadne is discussed: Titian: Mythological paintings: …of the most spectacular is Bacchus and Ariadne. Titian is also the first of the truly great ‘cinematic’ painters in art history and I promise I will write about this in another post. reaching back, moving forward, there's all of this conflicting He is carefree and concerned only about reaching her.

(piano playing) Dr. Zucker: We're in the National just on the horizon, on the extreme According to Ovid and Catullus, whose mythological poems are the basis for this painting, Bacchus offers Ariadne the sky as a wedding gift.

She helped the Athenian hero Theseus kill the Cretan Minotaur and escape his labyrinth and left Crete with him. Dr. Zucker: With a kind of Bacchus and Ariadne was originally commissioned to Raphael but he had only made a preliminary sketch before his death so Titian took over the commission. Dr. Harris: Animal behavior on the right. Dr. Harris: We see that thing Titian incredibly captured a raw moment of intimacy between the two lovers, the moment in which Bacchus' heart skipped a beat, and Ariadne found her body and soul instinctively drawn towards him – as if their whole lives have led up to this defining moment, they are intoxicated by one another.

which is the use of color; those blues, the reds, Dr. Zucker: They were both Now, after we have deciphered all the characters, we can get down to discussing the pictural virtues of the painting. There is a calf head on the floor and one of the revellers is waving a limb that has been torn from the calf.

Dr. Harris: I'm struck as I

'Titian's "Bacchus and Ariadne"'. Bacchus is connected with big cats, he is sometimes described in classical literature as having leopard skin garments. expressed between those two figures, or at least Bacchus' love of It depicts the moment when Bacchus finds Ariadne on the island of Naxos. The landscape features are well preserved on the painting and they show Titian's technical brilliance as the sunlight ripples across the fields. tracing their previous ... Dr. Harris: Actions. coming forward into the foreground. Analysis of Bacchus and Ariadne by Titian This colourful history painting (also known as a poesia) is one of a cycle of mythological pictures - based on classical texts - which were commissioned by Alfonso I d'Este, Duke of Ferrara, for his Camerino d'Alabastro – a private chamber in his ducal palace in Ferrara. frightened of him, but promises

that's right. National Gallery Technical Bulletin Vol 2, pp 25–47. Titian gained from studying other artists and incorporated ideas from well-known pieces of classical sculpture. in a chariot lead by two cheetahs. Bacchus and Ariadne was painted by Titian between 1520 and 1523. His ship is seen heading toward the horizon over her shoulder. His painting of Bacchus and Ariadne is a triumph of artistic skill and composition with an iconic, freeze frame pose that is instantly recognisable. It is movingly the very epitome of love at first sight.

Bacchus and Ariadne (1522–1523) is an oil painting by Titian.It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts.

She helped the Athenian hero Theseus kill the Cretan Minotaur and escape his labyrinth and left Crete with him. The darker side to Bacchus is alluded to by Titian. The Iris on the woodland floor and the Capel flowers are delightfully illustrated. DYNAMICS. Titian showed the Bacchus in moving fashion, by “freezing” him jumping from a cart.

Presumably she had just been The Iris on the woodland floor and the Capel flowers are delightfully illustrated. Ovid portrays his chariot as being pulled by tigers or panthers. movements to the bodies of the figures. palace and it speaks to a man who

Dr. Zucker: It tells the story of One of my favouries: Bacchus and Ariadne Photo: theartraveller.

Intoxication followed by his revelers kind of emerge in the diagonal As she is sleeping on the Island of Naxos Theseus abandons her and sails away. The painting was the basis for the cover of the album This article is about the Titian painting.

English: The theme of Bacchus and Ariadne is based on the classical authors Ovid and Catullus.The painting belongs to a series commissioned from Giovanni Bellini, Titian and Dosso Dossi, for the Camerini d'alabastro (Alabaster Room) in the Ducal Palace, Ferrara, by Alfonso d'Este, Duke of Ferrara, who in 1510 even tried commissions to Michelangelo and Raphael.