From Christie's, Rembrandt van Rijn, Self-Portrait in a Cap and Scarf with the Face dark: Bust (1633), Etching on laid paper, 13.5 × 10.4 cm Etching involves a process of using a needle to etch or carve an image on a metal plate treated with a resin or wax material. Rembrandt worked on his plates in stages and printed variations which he sold as originals. In white on the same royal blue, “THROUGH JAN 6” and the museum logo appear on the bottom. Details. Our website uses cookies. Self-Portrait in a Cap, Wide-Eyes and Open-Mouthed (circa 1630) and Self-Portrait Leaning on a Stone Sill (1639) were etchings with drypoint. Self-Portrait in a Flat Cap and Embroidered Dress Date: c. 1642. The subject’s face in these works, as with all Rembrandt portraits and self-portraits, is partially eclipsed; the nose separates bright illumination from brooding shadows. As one of Rembrandt’s earliest efforts at recording his own likeness, it is essentially a foil for another purpose: the depiction of human passions. VAN RIJN. Of all the self-portraits in which Rembrandt depicts emotions, this one is probably the most engaging. Here Rembrandt represents himself in a plain cloak with a simple white cap. SELF-PORTRAIT IN A CAP, WIDE-EYED AND OPEN-MOUTHED (B., HOLL.
New Hollstein Dutch and Flemish (Rembrandt text) 69-2(2) 320; NEW HOLL. A prominent portraitist, Rembrandt is most famous for The Strolling Musicians, c. 1635-later 17th century impressionThe Strolling Musicians, c. 1635-later 17th century impressionThe Strolling Musicians, c. 1635-later 17th century impressionLes Grandes Miseres de la Guerre: the set of 18, 1633Rembrandt van Rijn and Studio of Rembrandt van Rijn"Van Dyck: The Anatomy of Portraiture" at The Frick Collection, New YorkPortrait of a young lady in a blue dress, half-length, 1657Rembrandt van Rijn and Studio of Rembrandt van Rijn"Van Dyck: The Anatomy of Portraiture" at The Frick Collection, New YorkPortrait of a young lady in a blue dress, half-length, 1657Les Grandes Miseres de la Guerre: the set of 18, 1633"Van Dyck: The Anatomy of Portraiture" at The Frick Collection, New YorkRembrandt van Rijn and Studio of Rembrandt van RijnPortrait of a young lady in a blue dress, half-length, 1657Les Grandes Miseres de la Guerre: the set of 18, 1633 To refer to this object please use the following persistent URL: Do you have a remark or extra information on this object? Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman ... Self-Portrait in a Cap, Open-Mouthed Rembrandt 1630. Self-portrait wearing a white feathered bonnet is an oil painting attributed to the Dutch painter Rembrandt. From Christie's, Rembrandt van Rijn, Self-Portrait in a Cap and Scarf with the Face dark: Bust (1633), Etching on laid paper, 13.5 × 10.4 cm The back of the banners is identical with “REMBRANDT PAINTER AS PRINTMAKER” on a white background with black etch marks. The For Rembrandt, studying and recording his own expressions in front of a mirror was practical and efficient. Self-portrait in a Cap, Wide-eyed and Open-mouthed, Rembrandt van Rijn, 1630 etching, h 50mm × w 45mm More details. It was traditionally regarded as a Rembrandt self-portrait until 1968, when it was rejected on stylistic grounds in the Rembrandt catalogue raisonné by Horst Gerson. They will be in some classy company, exhibited alongside 30 prints made from copper plate etchings by Rembrandt Harmenszoon van Rijn, the Dutch master who lived from 1606-1669. Details. “Self Portrait in Velvet Cap with Plume” — Rembrandt’s etching made in 1638, first state of three, print pulled in artist’s lifetime.
Title: Self-Portrait in a Velvet Cap with Plume Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: 1638 Medium: Etching Classification: Prints Credit Line: Bequest of Julia H. Manges, in memory of her husband, Dr. Morris Manges, 1960 Accession Number: 60.598.66 Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. Details.